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The Rodneys are, for the most part, in the library, the room dearest to them. Mona is telling Doatie's fortune on cards, Geoffrey and Nicholas are discussing the merits and demerits of a new mare, Lady Rodney in still struggling with the crimson sock,—when the door is opened, and Nolly entering adds himself to the group. "Well, really, you know, yes. I think there is something special about her," he says, feeling himself in duty bound to say something. At this they both laugh heartily, and Mona returns no more to the lachrymose mood that has possessed her for the last five minutes..
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The Australian seems particularly struck with this fact. He stares in a thoughtful fashion at the wall with the small panels, seeming blind to the other beauties of the room. "It is terrible, terrible," says Mona, piteously sinking on her knees beside the bed. One of his hands is lying outside the coverlet, and, with a gesture full of tender regret, she lays her own upon it. She leans back in her chair, and brings her fingers together, clasping them so closely that her very nails grow white. Her thin nostrils dilate a little, and her breath comes quickly, but no angry word escapes her. How can her lips give utterance to a speech that may wound the mother of the man she loves! "Well, you know it now. I do object," says Geoffrey, in a tone he has never used to her before. Not that it is unkind or rude, but cold and unlover-like..
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